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Artists’ Survival Methods
method 05
Making Use of Creative Communities

This segment will introduce two creative communities in eastern Tokyo, an area around Tokyo Skytree® that has historically been home to many small factories and has seen an increase of new shops and studios in recent years.

“reboot” is located on the second floor of a building. On a spiral staircase is a piece created by professional knitter 203gow.

“reboot” is located on the second floor of a building. On a spiral staircase is a piece created by professional knitter 203gow.

Kuramae 4273+creative garage—
an organic space that grew out of the Kuramae culture

At first glance, Kuramae 4273+creative garage (hereafter, Kuramae 4273), created by renovating a small factory, looks like a hip café. But it is actually a space that can be used as a gallery, art studio, or office.
Its owner, Masahiko Orui, used to work as a director at a production company. However, rather than unilaterally transmitting information to the public, he felt he wanted to engage in the kind of work that sends interesting things out into the world through mutual communication, and in 2014, he opened Kuramae 4273.

The venue currently operates on a system called “creative membership” that requires a monthly fee. Once joined, members can rent shared and residential spaces.

Masahiko Orui (left).

Wooden electric cart designer Toru Mizushima (right).

Masahiko Orui (left). Wooden electric cart designer Toru Mizushima (right).http://lightmobility.com

reboot—a shared studio space where noise and smells are of no issue

Hiroyuki Imamura, the founder of “reboot,” has long developed creative activities and networks by making use of existing buildings.
His aims for “reboot” were to create a space that artists and creators can use 24/7 and make as much sound or smell as they pleased, and also to cultivate an ecosystem in which creators can carry out their activities with ease.
Renters at “reboot” are creators from a wide range of genres, including leather product design, jewelry design, Japanese-style painter, washi Japanese paper craftman, puppetry, administrative paralegal work, editing, animation, and graphic design.
The puppet theater Utervision Company Japan, has been a member since two year ago and using “reboot” in various ways. For example, it has ordered custom-made Japanese paper from another member, Tokyo Washi, and put on a show in “SOOO dramatic!” an event space on the facility’s first floor.

Hiroyuki Imamura, director of Machizukuri Gaisha Dramatic (left).

The work space of the puppet theater group Utervision Company Japan and Eri Tomoi, who is in charge of production work (right).

Hiroyuki Imamura, director of Machizukuri Gaisha Dramatic (left). The work space of the puppet theater group Utervision Company Japan and Eri Tomoi, who is in charge of production work (right).
https://atorie-tane.jimdo.com
https://utervision-jp.jimdo.com/

Text: Emi Sato
Photo: Shu Nakagawa

Kuramae 4273+creative garage

Address:4-27-3 Kuramae, Taito-ku, Tokyo

[Inquiries]

Tel:070-6511-4273

Email:hello@4273.jp

Hours:11:30am-6:00pm (on days of events, open till 10:00pm) *Renters of dedicated spaces have 24-hour access

Closed:Sundays and Mondays (in addition to occasional temporary closures) *No closure days for renters of dedicated spaces

http://4273.jp

Kuramae 4273+creative garage
reboot

Address:2F, 1-11-15 Shitaya, Taito-ku, Tokyo

[Inquiries]

Machizukuri Gaisha Dramatic

Tel:03-6231-7619 / Fax:03-6231-7612

Email:reboot_ws@sooo-dramatic.com

http://www.reboot-iriya.info/

reboot